They
say somewhere in the world everyone has a twin. A
backcountry fugitive is on the run from the law when
he comes across his twin. He uses that
stroke of luck, and some quick thinking, to escape.
Its a story of small town justice.
HISTORY
The
script was originally written by Thomas Fahrner 'in
his head' starting around 1997. In the spring of 2001
he decided this was going to be the year and put pen
to paper (or is that fingers to keyboard?) and wrote
the first of many versions. Once the story was worked
out and the script was stable he began to look for a
director. Thomas had worked as an actor with Sargon
Benjamin in 1999 on his feature film "Before You
Go". Thomas contacted Sargon in Los Angeles and
they began discussing the project. Sargon reviewed the
script and agreed to come on board. Now the shoot date
was set for late summer 2001. They both went in search
of crew. While Thomas was working on a different short
film in San Francisco he was introduced to Scott Beardslee.
Once Scott reviewed the script and talked to Sargon
he agreed to work on the project as the cinematographer.
Except for the camera, which was supplied by Sargon,
Scott brought with him most of our equipment and crew.
The
film was shot entirely in the San Jose area. The main
shooting location was a 160-acre ranch outside of San
Jose called the Atkinson Estate. We also shot the opening
scene at a bar called the Quail Canyon Inn outside of
Morgan Hill and the closing scene at Gavilan College
in Gilroy.
THE TECHNICAL
Never
the Twins Shall Meet was shot in 11 days from September
6th through September 20th 2001. The production was
shut down on the 11th. The film was shot on the directors
16mm Arriflex BL camera. After principal photography
the film was edited in six weeks on an Avid system rented
from Entertainment Post in Los Angeles. The final Beta
cut was made on December 5th 2001 with a final runtime
of 34 minutes, including credits. The film is available
for exhibition on Beta SP tapes.
MOVIE PHOTOS
Click
here to see photographs from the shooting of the
film and the credits.
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